VOLUME 66, 1 (2006)

• Imperfect Symmetry: Re-thinking Bronze Casting Technology in Ancient China
  Lukas Nickel
• Forgeries Signed as Mei Qing: Mount Huang Paintings
  Shwu-ching Lee
• The Great Railing at Amaravati: An Architectural and Archaeological Reconstruction
  Akira Shimada
• Snakes and Ladders in India: Some Further Discoveries
  Andrew Topsfield

VOLUME 66, 2 (2006)

• Swords from Ottoman and Mamluk Treasuries
  David Alexander
• In the Eye of the Storm: Visualizing the Qajar Axis of Kingship
  Sussan Babaie
• “When My Beholder Ponders:” Poetic Epigraphy in the Alhambra
  Olga Bush
• Mamluk Elements in the Damascene Decorative System of the Eighteenth and Nineteenth Centuries
  Anne-Christine Daskalakis Mathews
• Making History: A Monumental Battle Painting of the Perso-Russian War
  Layla S. Diba
• Unruly Images: Photography in and of Afghanistan
  Holly Edwards
• Adorned like a Rose: The Sultan Murad III Album and the Persian Connection
  Aimée Frrom
• The Architect/s of the Sultan Hasan Complex in Cairo
  Abdallah Kahil
• Mixed Metaphors: Iconography and Medium in Mamluk Glass Mosaic Decoration
  Ellen Kenney

VOLUME 67, 1 (2007)

• Embroidering History: A tiraz Textile from the Reign of al-Muqtadir Billâh
  Jaclynne J. Kerner
• “A Thousand Designs for the Sake of the Bowl:” A Wine Vessel with Persian Inscriptions atLACMA
  Linda Komaroff
• The Mi’radj-nama Reconsidered
  Tomoko Masuya
• What the Fox told the Snake: Illustrated Animal Fables from Akbar’s Age
  Mika Natif
• The Beginning of the Khurasani School of Painting at Herat
  Barbra Schmitz
• Invented Pieties: The Rediscovery and Rebuilding of the Shrine of Sayyida Ruqayya in Damascus, 1975–2006
  Yasser Taabaa
• A Group of Artists Associated with the “Asitana” of Husam al-Din Ibrahim
  Lale Uluç
• Following the Path of a Nakkash from the Ak Koyunlu to the Ottoman Court
  Aysin Yoltar-Yildirim

VOLUME 67, 2 (2007)

• The Trübner Stele Re-examined: Epigraphic and Literary Evidence
  Eileen Hsiang-ling Hsu
• The Hejiacun Rhyton and the Chinese Wine Horn (Gong): Intoxicating Rarities and their Antiquarian History
  François Louis
• Tianzhu Lingqian: Divination Prints from a Buddhist Temple in Song Hangzhou
  Shih-shan Susan Huang
• The Paintings of Huang Xiangjian’s Filial Journey to the Southwest
  Elizabeth Kindall

VOLUME 68, 1 (2008)

• The Longshan Daoist Caves
  Anning Jing
• The Narrative Art of the Srisailam Prakara: A Visual Narrative
  Prabhavati C. Reddy
• Wall-Painting in Bundi: Comments and a new Discovery
  Milo Cleveland Beach

Research Note

• The Baghani Complex: Medival Pavillions in the Mardin Hinterland, Southeastern Turkey
  Deniz Beyazit

VOLUME 68, 2 (2008)

• Image, Text, Monument: A Reexamination of the Philadelphia Brahma and “Later Calukyan” Sculpture
  John Henry Rice
• Shoko mandara and the Cult of Prince Shotoku in the Kamakura Period
  Chari Pradel
• Views of Japanese Temples and Shrines from Near and Far: Precinct Prints of the Eighteenth and Nineteenth Centuries
  Sherry Fowler
• The Well-Known Javanese Statue in the Tropenmuseum, Amsterdam and its Place in Javanese Sculpture
  Pauline Lunsingh Scheurleer

Research Note

• The Colophon Portrait of the Royal Asiatic Society Gulistan of Sa’di
  John Seyller

VOLUME 69, 1 (2009)

• Views of Japanese Temples and Shrines from Near and Far: Precinct Prints of the Eighteenth and Nineteenth Centuries
  Sherry Fowler
• Anyang Mold-Making and the Decorated Model
  Robert Bagley
• A Manichaean ‘Portrait of the Buddha Jesus’
  Zsuzsanna Gulácsi
• Authenticity and the Expanding Market in Chen Hongshou’s Seventeenth-Century Printed Playing Cards
  Tamara H. Bentley
• The Javanese Statue of Garuda carrying Wisnu and its Temple
  Pauline Lunsingh Scheurleer

  VOLUME 69, 2 (2009)