Vol. 33-37

VOLUME 33, 1/2 (1971)

Metallurgy in the Early Steppes
Karl Jettmar
The Brahmadeva Pillars. An Inquiry into the Origin and Nature of the Brahmadeva Worship among the Digambara Jains
S. Settar
Kuan-Yin as Savior of Men: Illustration of the Twenty-Fifth Chapter of the Lotus Sutra in Chi-nese Painting
Miyeko Murase
A Long Roll of Buddhist Images
Helen B. Chapin, Alexander C. Soper

VOLUME 33, 3 (1971)

Pagan, Wetkyi-in Kubyauk-gyi, an Early Burmese Temple with Ink-Glosses
Ba Shin, K. J. Whitbread, G. H. Luce
Some Seventeenth-Century Images from Burma
Jane Terry Bailey

VOLUME 33, 4 (1971)

The “Water” Theme in Chinese Painting
Robert J. Maeda
Some Results of the Third International Conference on Asian Archaeology in Bahrain, March 1970: New Discoveries in the Persian/Arabian Gulf States and Relations with Artifacts from Countries of the Ancient Near East
Edith Porada, Grace Burkholder, Marny Golding, Robert McC. Adams, Karen Frifelt, Peder Mortensen, C. C. Lamberg-Karlovsky

VOLUME 34, 1 (1972)

Three Large Ch’u Graves Recently Excavated in the Chiangling District of Hupei Province
Annette L. Juliano
Kunst im Lan Na Thai (2): Beschriftete Buddhafiguren aus Nam Phra (Phrao)
Hans Penth
Cassoni-Emaki: A Comparative Study
Gisela Armbruster
Terracottas from Bhiṭa
Samir K. Mukhopadhyay

VOLUME 34, 2/3 (1972)

Early Heian Sculpture at Its Best: Three Outstanding Examples
Sherwood F. Moran
A Miniature Sculpture from Ceylon Depicting the Eight Great Miracles of the Buddha
L. Prematilleke
Buddhist Monuments in Mysore
M. Seshadri
The Nandi Images of Tamil̤nadu and Kannaḍanadu
M. A. Dhaky
Rashtrakuta Temples at Bhvanasi Sangam
B. Rajendra Prasad
On Two Portraits of Pahari Artists
B. N. Goswamy
The Use of Mercury in Metal Ritual Objects as a Symbol of Shiva
F. E. Treloar

VOLUME 34, 4 (1972)

VOLUME 35, 1/2 (1973)

Ma-wang-tui. A Treasure-Trove from the Western Han DynastyMa-wang-tui.
Fong Chow
Ch’ang-sha Ma-wang-tui i-hao Han mu fa-chüeh chien-pao: “A Brief Report on the Excava-tion of Han Tomb no.1 at Ma-wang-tui, Ch’ang-sha”
Fong Chow, Cheng Yeh
Imported Mirrors in the Minusinsk Basin
E. Loubo-Lesnitchenko
Al-Hiba, 1970-1971: A Preliminary Report
Donald P. Hansen
Some Nepalese Stone Sculptures: A Reappraisal within Their Cultural and Historical Context
Mary Shepherd Slusser, Gautamavajra Vajracarya
Ganga Tripathaga
Kirit Mankodi
Provisional Classification of Painted Pottery from Ban Chieng
Piriya Krairiksh
Review: Comments on Later Iranian Ceramics: A Review Article
Richard Ettinghausen

VOLUME 35, 3 (1973)

Notes on the Art of Siam, no. 7. An Eighteenth-Century Monastery, Its Colossal Statue, and Its Benefactors
Alexander B. Griswold
A Recut Ashokan Capital and the Gupta Attitude towards the Past
Joanna Williams
A Reassessment of the “Tuti-Nama” Illustrations in the Cleveland Museum of Art (And Re-lated Problems on Earliest Mughal Paintings and Painters)
Anand Krishna
Some Nepalese Stone Sculptures: Further Notes
Mary Shepherd Slusser, Gautamavajra Vajracarya
Heian Sculpture at the Tokyo National Museum: A Review Article. Part I
Donald F. McCallum

VOLUME 35, 4 (1973)

Four Chinese Royal Tombs of the Early Eighth Century
Mary H. Fong
The Chronological Significance of the Inscribed Ancestor Dedication in the Periodization of Shang Dynasty Bronze Vessels
Virginia C. Kane

VOLUME 36, 1/2 (1974)

Neo-Taoism and the “Seven Sages of the Bamboo Grove” in Chinese Painting
Ellen Johnston Laing
An Interesting Han Jade in the Los Angeles County Museum of Art
Joan M. Hartman
Three Inscribed Sukhodayan Images in the Bo Tree Monastery. Notes on the Art of Siam, no. 8
A. B. Griswold
Evolution of the Chattravali in Ceylon
W. B. Marcus Fernando
A Note on the Superstructure of the Maṛhia Temple
Michael W. Meister
An Apitakuca Image from Kagajipara, Bangladesh
Dipakchandra Bhattacharyya
The Death of Buddha, a Painting at Koyasan
Sherwood F. Moran
Heian Sculpture at the Tokyo National Museum. Part II: A Review Article
Donald F. McCallum

VOLUME 36, 3 (1974)

Two Medieval Nepalese Buildings: An Architectural and Cultural Study
Mary Shepherd Slusser, Gautamavajra Vajracarya
The Ninna-ji Amida Triad and the Orthodox Style
Donald F. McCallum

VOLUME 36, 4 (1974)

The Purpose and Date of the Hsiao-T’ang Shan Offering Shrines: A Modest Proposal
Alexander Coburn Soper
Kunst im Lan Na Thai (4): Die Hauptbuddhafigur im Wihan des Klosters Tha Düa bei Chiang Mai
Hans Penth
Notes sur l’ancienne région de Thatön (Basse-Birmanie)
Emmanuel Guillon
An Early Mahayana Sermon about the Body of the Buddha and the Making of Images
Lewis R. Lancaster
A Newly Discovered Garuḍa Image in Kathmandu, Nepal
Gautamavajra Vajracarya, Mary Shepherd Slusser
Folk Images of Sanjhi Devi
Betty Dashew Robins, Robert F. Bussabarger
The “Akashalinga” Finial
M. A. Dhaky

VOLUME 37, 1/2 (1975)

Li Sung and Some Aspects of Southern Sung Figure Painting
Ellen Johnston Laing
Brief Survey of Early Chinese Glazed Wares
Yutaka Mino
Meditations on a Black Sun. Speculations on Illusionist Tendencies in T’ang Painting Based on Chemical Changes in Pigments
Peter Glum
Kunst im Lan Na Thai (5): Die Glocke in der Höhle bei Chiang Dao
Hans Penth
Propitious-Apotropaic Eroticism in the Art of Orissa
Thomas Donaldson
A Shunga Capital from Vidisha
Donald Stadtner
A Dhyana-Yoga Maheshamurti, and Some Reflections on the Iconography of the Mahesha-murti-Images
Krishna Kumar

VOLUME 37, 3 (1975)

Some South Indian Icons
Aschwin Lippe
“Siberian” Gold Collected by Peter the Great: The Gagarin Gift
Carol Gatsie
Un Bas-relief parthe de la Collection Foroughi. Notes Iraniennes XVII
R. Ghirshman
Kunst im Lan Na Thai (6): Ein Gong aus Mandalay. Beispiel für die Entstehung von Erzählgut
Hans Penth

VOLUME 37, 4 (1975)