VOLUME 56, 1/2 (1996)

• Symmetry and Balance in the Layout of the Sui-Tang Palace City of Chang’an
  Saehyang P. Chung
• The Visnu Image in the Shore Temple at Mamallapuram
  Walter Smith
• Carly Cola Kings and “Early Cola Temples”: Art and the Evolution of Kingship
  Padma Kaimal
• Evidence of Royal Painting for the Amber Court
  Glynn, Catherine
• The Purandi Hoard: Metalwork From Eleventh-Century Nepal
  Mary Shepherd Slusser
• Laques du XIXe siecle au Musée Chiossone entre austerite, magnificence, classicisme et soshoku: Quelques chefs-d’oeuvres Inedits et leur sources
  Donatella Failla

VOLUME 56, 3/4 (1996)

• The Cemetery of the Western Zhou Lords of Jin
  Jay Xu
• Monumentalization of Buddhist Texts in the Northern Qi Dynasty: The Engraving of Sutras in Stone at the Xiangtangshan Caves and Other Sites in the Sixth Century
  Katherine R. Tsiang
• Shen Mou: The Coalescence of Professional and Literati Painting in Late Yuan China Sandra Jean Wetzel, 263
  Man and Man-Lion: The Philadelphia Narasimha
  Michael W. Meister
• The Treatment of Narrative in Jagat Singh’s Ramayana: A Preliminary Study
  Vidya Dehejia
• Honolulu Academy of Art Tenth-Century Khmer Buddhist Trinity
  Nancy H. Dowling
• Notes Concerning the Mgon-khan of Zwa-Lu
  Franco Ricca and Lionel Fournier

VOLUME 57, 1/2 (1997)

• A Mughal Icon Re-examined
  Catherine Glynn and Ellen Smart
• Why a History of Monuments from Nolambavadi
  Andrew L. Cohen
• A Note on the Original Vaisnava Character of the Shore Temple, Mamallapuram
  Walter Smith
• The Dharani Pillar of Kunming, Yunnan: A Legacy of Esoteric Buddhism and Burial Rites of the Bai People in the Kingdom of Dali (937-1253)
  Angela F. Howard
• Illustrations of the Life of Confucius: Their Evolution, Functions, and Significance in Late Ming China
  Julia K. Murray
• The Legacy of Bole: Physiognomy and Horses in Chinese Painting
  Robert E. Harrist

VOLUME 57, 3/4 (1997)

• The Mamallapuram Prasasti: A Panegyric in Figures
  Michael D. Rabe
• The Inspection and Valuation of Manuscripts in the Imperial Mughal Library
  John Seyller

VOLUME 58, 1/2 (1998)

• The Sui-Tang Eastern Palace in Chang’an: Toward a Reconstruction of its Plan
  Saehyang P. Chung
• The Buddhist Sculptures at Feixian Pavilion in Pujiang, Sichuan
  Henrik H.Sørensen
• The Temple to the Northern Peak in Quyang
  Nancy Shatzman Steinhardt
• The Three Yin Masters of the Ming Court: Yin Shan, Yin Xie, and Yin Hong
  Sung Hou-Mei
• Narrative Framing in the Tale of Genji Scroll: Interior Space in the Compartmentalized Emaki
  Watanabe Masako

VOLUME 58, 3/4 (1998)

• Dynamic Structures in Buddhist Mandalas: Apradaksina and Mystic Heat in the Mother Tantra Section of theAnuttarayoga Tantras
  Heather Stoddard
• Metamorphosis: Sheet Metal to Sacred Image in Nepal
  Mary Shepherd Slusser, Nutan Sharma, James A. Giambrone
• The Changing Faces of Eklilngji: A Dynastic Shrine and its Artists
  Tryna Lyons
• The Death of Inayat Khan by the Mughal Artist Balchand
  Ellen Smart
• Mazu, the Patroness of Sailors, in Chinese Pictorial Art
  Klaas Ruitenbeek
• Dr. Sherman Emery Lee: Tenth Recipient of the Charles Lang Freer Medal
  Thomas Lawton

VOLUME 59, 1/2 (1999)

• The Eternal Palaces of the Western Han: A New View of the Universe
  Jessica Rawson
• The Problem of Portraiture in South India, Circa 870-970
  Padma Kaimal

VOLUME 59, 3/4 (2000)

• On the Patronage by Tang-Dynasty Nuns at Wanfo Grotto, Longmen
  Amy McNair
• Formulas of Creativity: Artist’s Sketches and Techniques of Copying at Dunhuang
  Sarah E. Fraser
• Beyond the Written Word: Li Gonglin’s Illustrations to Tao Yuanming’s Returning Home
  Elizabeth Brotherton
• Suzhou Pian and Other Dubious Paintings in the Received Oeuvre of Qiu Ying
  Ellen Johnston Laing
• An Image at Lakshi Serai and its Implications
  Frederick M. Asher
• Painter’s Directions in Early Indian Painting
  John Seyller

VOLUME 60, 1 (2000)

• Rethinking the Non-Chinese Southwest
  Sophia-Karin Psarras
• Some Han-Dynasty Paintings in the British Museum
  Lukas Nickel
• Ayagapatas: Characteristics, Symbolism, and Chronology
  Sonya Rhie Quintanilla
• The Problem of Portraiture in South India, circa 970-1000 A.D.
  Padma Kaimal

VOLUME 60, 2 (2000)

• Approaching the Temple in Nayaka-Period Madurai: The Kutal Alakar Temple
  Crispin Branfoot
• A Rajasthani Princely Album: Rajput Patronage of Mughal-Style Painting
  Catherine Glynn
• Studies in Late Qing Dynasty Battle Paintings
  Zhang Hongxing
• A New Life for Literati Painting in the Early Twentieth Century: Eastern Art and Modernity, A Transcultural Narrative?
  Aida-Yuen Wong

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