VOLUME 81,1 (2021)

• The Nelson-Atkins Museum’s “Tree of Life” and the Art of Kerala Oil Lamps (Carol Radcliffe Bolon)
• Rethinking Creativity: Generative Design and the Architecture of the Songyue Monastery Pagoda (Tracy Miller)
• Modernity Through Tradition: “Korean” Ink Paintings by Ku Ponung (1906–1953) (Jungsil Jenny Lee)

VOLUME 81,2 (2021)

• Loved, Unloved, and Changed: Afterlives of the Kailasanatha Temple in Kanchipuram (Padma Kaimal)
• Who Accompanies Whom? Arranging Rong Qiqi and the Seven Sages of the Bamboo Grove in Early Medieval Chinese Tombs (Jie Shi)
• The Five Dragon Kings: A Study of the Five Primary Sculptures in the Temple of King Mingying of the Guangsheng Monastery, Shanxi (Hui Wang Martin)

VOLUME 82,1 (2022)

• Silver Handled Cup: Syncretism, Materiality, and Banquets in Northern Wei Art (Fan Zhang)
• The Divine Feminine at Abhaneri: An Appraisal of Representations of the Goddess (Srija Sahai)
• Shah Abbas I, the Safavid Concourse of the Birds, and the Reception of the Ming One Hundred Birds Compositionsin Persian Painting (Bilha Moor)

VOLUME 82,2 (2022)

• The Affective Riverscape: Resonance and Sociality in Okuhara Seiko’s Spring Colors on the Sumida River, 1887 (Yurika Wakamatsu)
• Sima Boundary Markers of Angkor: A Critical Reappraisal (Andrew Harris)
• The Late Mughal Artist Hunhar II (J.P. Losty)

VOLUME 83,1 (2023)

• The Realized Soul and the Trishund Ganapati Temple (Cathleen Cummings)
• A Pilgrimage to Haridwar (Eberhard Fischer)
• The Bla-Ma-Dam-a Set of the Vajravali and the Development of Tantric Art in Tibet in the Fourteenth Century (Chen Ping-Yang)

VOLUME 83,2 (2023)

• On the Perils of Parochialism: Reinterpreting the Magic Charms of Fifteenth-Century Java (Shawnakim B. Lowey-Ball)
• Assembling Gods: Nature, Community, and Temple Murals in Southern Shanxi (1300-1700) (Anne N. Feng)
• Monk Portraits in Late Choson Korea: Exploring Social, Economic, and Gender Dynamics in Premodern Korean Buddhist Art (Maya Stiller)

VOLUME 84,1 (2024)

• The Grid and the Buddha Body: Measurement, Cloth, and Embodiment (Yong Cho)
• Beyond Erligang: The Taijiasi Settlement and Lower Yangtze Bronze Bell Art (Kent Cao)
• Weirder than Weird: “Weird-Figure” Painting of Luohans and Literati in Seventeenth-Century China (Katharine P. Burnett)

VOLUME 84,2 (2024)

• The Mind Landscape of Xie Youyu: A Painting Handscroll with Fundamental Issues (Birgitta Augustin)
• Mughal Mirrors and Sheesh Mahals: New Insights into the Origins of Glassblowing in South Asia (Tara Desjardins)
• Radiant Words, Shining Body: Developing a Textual Icon in Medieval Japan’s Shin Pure Land Buddhism (Susan Dine)

VOLUME 85,1 (2025)

• Artibus Asiae: One Hundredth Anniversary (Amy McNair and Eberhard Fischer)
• A Rare Sadamnaya Illuminated Manuscript and the Goddess Kubjika (Pongsit Pangsrivongse)
• Fashioning the Body of the Historical Buddha: The Robes on the Bujoji Shaka Statue and Appropriation of Song-Dynasty Chinese Art (Yen-Yi Chan)
• Early Pure Land Belief and the Regional Style of Qinzhou Portable Shrines in Fifth- and Sixth-Century China (Zhao Yi)